Rachael Allen
  • Home
  • Death is a sign of life.
  • Selected Exhibitions
    • Flesh of our Flesh, Bone of our Bone
    • Horses for Courses...
    • So what's different today?
    • Breach Birth
    • Bricks and Mortar
    • Art in Empty Shops
  • Miniature Artworks
    • Miniature clay works
    • Miniature coffins, caskets, mortuary equipment
    • Miniature medical
    • Miniature swings
    • Miniature wheelchairs
    • Miniature cots
    • Miniature pushchairs, buggies, prams
    • Miniature Miscellaneous
  • More drawings
  • LIFE SIZE
  • Significance of the Miniature (art) Object
  • Death becomes her
  • News
  • Links (general)
  • Links (artists)
  • Contact me
  • CV
  • Own a Miniature
One day I grew up

One day I grew up

One day I grew up

One day I grew up

Untitled 2 (long cot)

Untitled 2 (long cot)

Untitled 2 (long cot)

Untitled 2 (long cot)

Untitled 2 (long cot)

Untitled 2 (long cot)

Untitled 2 (red wheelchair)

Untitled 2 (red wheelchair)

Untitled 2 (red wheelchair)

Untitled 2 (red wheelchair)

Untitled (buggy)

Untitled (buggy)

Untitled (buggy)

Untitled (buggy)

Untitled 2 (black wheelchair)

Untitled 2 (black wheelchair)

Untitled 2 (black wheelchair)

Untitled 2 (black wheelchair)

Untitled 2 (black wheelchair)

Untitled 2 (black wheelchair)

Untitled 2 (pram)

Untitled 2 (pram)

LIFE SIZE objects

The life size vehicles are similar to the site-specific miniature vehicles and take habitat in the gallery space or a site-specific environment. They embody various characteristics that imply injury or aging, with visible signs of damage to their limbs and frames.

The life size cots embrace the visual and experiential effect of familiar objects that embody an uncomfortable reality which is inescapable. Both One day I grew up (a tall cot that towers above the viewer) and Untitled (long cot) (an empty, extended cot) evoke the occupancy of a human body, which is likely to arouse a sense of confusion and discomfort within the viewers. The impact of their scale and condition prompts the viewers to relate their own physicality to that of the absent human body. Here, the strength of the work exists in its ability to connect with viewers’ authentic, individual experience.
Powered by Clikpic